Her music is performed by renowned soloists and ensemble and commissioned from important institutions and in various national and international festivals including “Settimana della Cultura italiana of the Istituto di Cultura Italiana in Hamburg” (2010), “the Associazione Alessandro Scarlatti in Naples” (2013-2017), “Musikfestival Bern” (2015), “Festival 5 giornate in Milan” (2015), “Firenze suona contemporanea Festival in Florence” (2015), “the University of the Arts in Bern” (2015), “Münchener Biennale” (2016), “KonzertTheaterBern” (2016),“Capodimonte Museum in Naples” (2017-2023),“Festival Verso Traiettorie in Parma” (2019), “Festival Nuova Consonanza in Rome” (2019), “Sansevero Chapel Museum in Naples” (2019), “Labor Neuezehn in Berlin” (2020), “Malmö Gallery in Sweden” (2020), “Theater of institute Français in Naples” (2022), “Galéria L’udovìta Fullu in Ruzomberok (Slovakia) (2023), “Festival Gamo in Florence” (2023), “Universidade Federal de Minas Gerais in Belo Horizonte” (Brasil) (2023), “International Festival Forum of contemporary musica in Oberstdorf (Germany)” (2024), “Festival Amici della musica di Modena Mario Pedrazzi” (2024), “Opera Carlo Felice in Genoa” (2024), “Fondazione Musicale Omizzolo Peruzzi in Padua” (2024).
Rosalba Quindici studied in Italy with Azio Corghi, Salvatore Sciarrino, Stefano Gervasoni and in Switzerland with Xavier Dayer.
She is graduated in Piano, Composition and Philosophy, by ending her studies in Theory and Composition at the Hochschule der Künste in Bern and by going on to further research on musical perception through a PhD in phenomenology at Federico II University in Naples (Italy).
From 2022 she is the art director of MTR (music – theater – research) – http://www.quidra.it – review dedicated to the promotion and dissemination of contemporary languages, especially music.
Quindici is Full Professor of Composition at the Conservatory “Maderna-Lettimi” of Cesena- Rimini, Italy. (https://www.madernalettimi.it/didattica/docenti/rosalba-quindici).
